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Especially Yuvan Shankar Raja's haunting scores and Sukumar's visual quality too gels well with the movie.īut the film's biggest drawback is Vijay Sethupathi's college portions, which affects the charming flow of the movie and only reduces the tempo,which could have been written with perfection. Other than Vijay Sethupathi, Aishwarya Rajesh's emotional performance as a poor village girl, Raadhika's innocent yet caring village mother and bold yet independent Tamannaah are perfectly written that we are able to relate with them.įor a rural based film, Dharma Durai also shines in technical department. The actor however compensates his limitation with his amazing performance as an alcohol addict and how he comes out of it with the help of strong women.
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Vijay Sethupathi's biggest plus is acting prowess that he fits into any character but he must also concentrate on his physical transformation,especially the actor couldn't justify the college student with his bulked look.
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Download Dharma Durai (2016) songs,Dharma. Dharmadurai (Original Motion Picture Soundtrack) - EP Yuvan Shankar Raja. Available with an Apple Music subscription. Dharmadurai Music Information: Staring: Vijay Sethupathi, Tamannaah, Aishwarya Rajesh, Srushti Dange.
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It's definitely not a path breaking film in Kollywood but has its moments, thanks to Vijay Sethupathi's towering performance and strong female characters including Raadhika, Tamannaah Bhatia and Aishwarya Rajesh. Dharma Durai 2016 Tamil Movie Full Album Songs Free Download. Some might have issues with the sedate pacing, but this is a film where the magic lies in lingering on - rather than rushing through - in this world.Review Dharmadurai & earn 20 DM Points.* Review Submitĭharma Durai is a decent feel good drama. Rather than being predictable, it seems inevitable. The stylish nonchalance of Vijay Sethupathi and the earnestness of Madonna complement each perfectly that we root for these characters to succeed.Īs for the romance, it might sneak upon the leads invisibly but, we can always feel where things are heading to, even with the smallest and unintentional of their actions, like Yazhini embrace of Kathir in her hometown. And when Kathir asks a younger gangster to quit the profession, we understand why he feels so. We know that Yazhini’s father cares for her and despite his reservations initially (when Yazhini points out that scores of girls study or work alone in Chennai, he admits that he doesn’t have the courage of their parents), he realises that he shouldn’t stand in the way of her career ambitions. The director is clear that this is as much Yazhini’s and Kathir’s story as it is the story of their romance, and so we get elaborate story arcs that make these characters feel almost real.
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When he first meets her, Kathir doesn’t even offer to help her with moving her stuff to her house, and when they meet for the final time (or so one might think), he has successfully held up an interview for hours with his rowdy act so that she can make it on time. Nalan takes his time to show how these two vastly different characters warm up to one another and become neighbours.
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He is an underling of a small-time gangster-politician, whose naiveté and loyalty has been exploited by his boss, resulting in a jail term for a crime he did not commit. But she is too proud to go back to Vilupuram and admit defeat even if it means she has to downgrade her life from living in an apartment to living in a housing colony.Īnd this is where she meets Kathir (Vijay Sethupathi), who happens to be her neighbour. And the fact that she has studied in a namesake engineering college and her lack of experience ensure that she cannot land one soon. Her company closes down, and she becomes one of the innumerable job hunters in the IT industry. Until, one day, when this dream turns into nightmare. She gets a job, and does things that a single girl in the IT industry is expected to do. For a while, her dream seems to have come true. She is an engineering graduate (as she puts it in a later scene, who in Tamil Nadu isn’t?) who has come to Chennai from her small town Vilupuram in the hope of standing on her own. But Nalan has localised the story (with quirky humor that is unmistakably his) so wonderfully that right from the initial scene, when we see Yazhini (Madonna) explain how she ‘ran away’ from home, we are in Tamil cinema terrain.
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In fact, that film’s alternate title, Gangster Lover, is such a blatant description of its plot. The film is a remake of Kim Kwang-sik’s 2010 Korean film My Dear Desperado. But with Kadhalum Kadanthu Pogum, Nalan Kumarasamy shows that in the right hands even a cliché can feel fresh and new. Review: An educated girl falling for a ruffian has become such a cliché today that we have even stopped rolling our eyes when this happens in a Tamil film nowadays. Synopsis: A girl trying to land a job in the IT industry and a gangster’s underling are neighbours.